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milaoshu 发表于 2012-9-26 21:36:28

《海上鋼琴師》

——社會？人？誰更強大？誰更弱小
《海上鋼琴師》像《肖申克的救赎》一样，都是借助第二视角来叙述一段故事。但是小号手完全比不上瑞德对故事诠释，不是说剧本不好，而是摩根.弗里曼太好了，以致当我第一次看到《海上鋼琴師》的时候就觉得是个抄袭。
不过，再看一遍之后终于发现了托纳托雷的高明之处，那就是那对于人物的塑造——与其说1900是一个人，不如说那是一种群人，也许在也是没有给予他名字的一个原因，依稀记得那句话：“钢琴只有八十八个键，它是有限的，音乐是无限的；轮船有头有尾，它是有限的，我看得见自己的生命，而在陆地上，我无法面对，我看不见……”看不见的是人性的丑陋，它很强大，以致1900爱情在其面前都低了头（这是隐喻）。在故事中就是一个弱小的心灵不敢就面对陌生的世界。这是一类人，一类被同化的人，《肖申克的救赎》被称为具有体制化，《海上鋼琴師》也是一种体制化，这也是人甘于沉醉的天性（惰性），甘于在自己不受伤害的地方。
但是托納托雷沒有將1900醜化，相反在鬥琴的那一段賦予了1900一種高尚的不慕名利的品質，在也是我們爲1900不下船所悲傷的原因。與MAX鬥琴，1900並沒有當做一個比試，從普通樂曲到最後一曲狂風暴雨後把煙給MAX，1900是一直想把MAX當做朋友——音樂上的朋友。但是MAX卻一心在名利之上，這不妨可以看做是他不敢下船的原因。在一個船上的私欲和名利都之盛，更不用說在陸地上。
從船上的1900和陸地的MAX就可以做出對此，音樂的鬥爭性就如同那追求金錢的心，充滿著火藥味和殺戮性，1900的弱小是小在了他不敢面對這殘忍的社會。
也就是說，社會太強大，人在面前又算是什麽？

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Alice bent over her work (she had eventually{283} induced Mr Silverdale to sanction the creation of a pair of slippers) with a pleased, lop-sided smile. She raised her hands and let them lie with strong pressure on his shoulders. "Another thing," said Fred—"why is it that the grooms are covered with tattoo-marks, and wear so little clothing?" The junk was all ready in the morning; and as soon as the passengers were on board, her sail was lifted, and she slowly worked her way through the water. The wind was all right for the voyage to the mouth of the river where Osaka lay; and if they had been on a sail-boat such as all New-Yorkers are familiar with, the journey would have been over in three or four hours. But the junk was not built for racing purposes, and the most that could be hoped for from her was a speed of about three miles an hour. This was no detriment, as they could thus make the mouth of the river by noon; and if the bar could be easily crossed, they would be at the city long before sunset. Life on a junk was a novelty, and therefore they were not annoyed to think that their craft was not a swift one. One coolie chin-chin he good night; "Quinn didn't know it, for Oliver got away, but they got the Yankee deserter, and brought him in when everybody was asleep but me, and I cross-examined him. Oh, my friend, God's arm is not shortened that he cannot save! He maketh the wrath of the wicked to praise him! The man was dying then, but thank God, I choked the whole truth out of him with a halter over a limb, and then for three mortal hours I couldn't start because the squad that took him out to--Who--who is that?" They did not understand, of course, that poor Belgium would have liked nothing better than to remain neutral also. "His face, unshaven since ever so long, is quite emaciated, and presents all the symptoms of nervous exhaustion. Once more twenty German soldiers are being nursed in his college, where only once a German doctor came to see them. He (Dr. Goffin) and a couple of Sisters have to manage everything by themselves, and the Germans do not even dream of providing food for their own wounded, although the college is so inadequately provisioned that the Head and the Sisters have to deny themselves the necessary nourishment that they may feed the wounded. to be quite a prominent person! LOCK WILLOW, 19th June Outside the night is moonless, deep blue. Venus seems quite close to us, shining with intense brightness, and the jasmines scent the air, softly lighted by the lanterns which burn out one by one. XI. "I'll tell you what you might do," he said at length, "if you care to take the risk. We're goin' back with some teams to Bridgeport to-morrow mornin'. You might git in one of the wagons and ride back 10 or 15 miles to a little valley that I remember that's there, and which I think looks like it hain't bin foraged. I was thinkin' as we come through the other day that I might git something goo'd to eat up there, and I'd try it some day. No body seems to 've noticed it yit. But it may be chock full o' rebels, for all I know, and a feller git jumped the moment he sets foot in it." "I hope it is all right," said the Deacon, a little abashed; "but I never had any use for a hoss that went back more'n he did forrard." Peasmarsh choir consisted of about eighteen boys and girls, with an accompaniment of cornets, flutes, and a bass viol—the last played by an immensely aged drover from Coldblow, who, having only three fingers on his left hand, had to compromise, not always tunefully, with the score. The singing was erratic. Eighteen fresh young voices could not fail to give a certain pleasure, but various members had idiosyncrasies which did not make for the common weal—such as young Ditch, who never knew till he had begun to sing whether his voice would be bass or alto, all intermediary pitches being somehow unattainable—or Rosie Hubble from Barline, who was always four bars behind the rest—or[Pg 141] even young Robert himself, who in crises of enthusiasm was wont to sing so loud that his voice drowned everyone else's, or in a wild game of follow-my-leader led the whole anthem to destruction. Further on, in the secrecy of the tents and caravans, the dusk became full of cowering shapes, sometimes slipping and sliding about apart, sometimes blotted together ... there were whispers, rustlings, strugglings, low cries of "d?an't" and "adone do!"—the sound of kisses ... kisses ... they followed Robert all the way to Meridiana's tent, where, standing in the brazier glow, and flushed besides with crimson of her own, stood Bessie. "To me?" HoME 韩国在线高清观看ENTER NUMBET 0019pandj.com.cn
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《海上鋼琴師》